Guide to Commissioning
Commissioning a new work is a very exciting process!  I am open to receiving commissions for all kind of events, ensembles, and  requests.
 Please feel free to contact me to discuss your commissioning request.
  
Rates
Commissioning rates depend on the size of the  ensemble/instrumentation, length of the piece, and time allowed for  creation.  The finished piece can either be delivered by mail or by PDF  through e-mail.  Please contact me to discuss the rate that works best  for your ensemble and/or organization.
  
Time Frame
It is best to contact me at least 6-12 months before the piece is to be  submitted to the performing ensemble.  This allows sufficient time for  planning, research, receiving permission for use of copyrighted texts  (if need be), writing, editing, and score/part creation. Some exceptions can be made and I am open to a bit of a quicker turn around depending  on the circumstance and length of piece/size of ensemble.
  
Residency/Attendance at the Premiere Performance
It is always an exciting experience to be a part of a new musical  creation; I am very interested in serving a residency with the  performing ensemble to give them an inside look at the creative process  of the piece so that they can more fully create their own personal  meaning to bring emotion and life to the music.   If  your ensemble is that of an educational institution or you desire the  opportunity for a creative learning experience along with the  commission, I would love to help you plan compositional projects with  your ensemble members for performance during the same event. If you  desire a residency with your ensemble and/or my attendance at the  premiere, I ask that you cover the travel and lodging costs as well as a  small stipend for a residency.  Please let me know and I can factor  these fees into the contract for the commission.
  
Dedication
As the commissioning party, you are entitled to dedication of the  piece which will be written on the first page of the score and parts as  well as cited in all programs and program notes.  As a part of the  commissioning process, we will discuss specifics on what the dedication  should state.
  
Copyright
As the composer, I am entitled to the copyright for all of my pieces.   As the commissioning party, you can request sole performing rights of  the work for an allotted amount of time without performance by another  ensemble.
  
Other Information
As a member of ASCAP, I report my premieres and all performances to  that performing rights organization. Most concert halls pay a fee to  ASCAP or BMI for performance of works by their registered members. I ask  that your performance venue registers the performance of my piece with  ASCAP because I receive a small payment from these performances. I would  appreciate a recording of the premiere performance for my own personal  use. This recording will not be sold but rather used for my own  reflection and promotional material.
  
Commission Inquiry
To inquire about a commission, please contact me.
